A STORY BOARD WORKS AS AN ESSENTIAL ORGANISER TO FILM AND A USEFUL TOOL TO PRE-VISUALISING A SEQUENCE OF FOOTAGE. A STORYBOARD MUST ALWAYS HAVE IMAGES AND DESCRIPTIONS, CONSISTING OF: SHOOT LOCATION, ACTION, MOVEMENT/ SHOT OF CAMERA, SOUND, LIGHTING, EDIT TRANSITION AND LENGTH OF TIME FOR SHOT.
TO START THE PROCESS OF STORYBOARDING WE MADE A LIST OF EACH SHOT AND THE KEY DESCRIPTIONS AS WE KNEW IT WAS LIKELY TO UNDERGO ALTERATIONS. ONCE ALL THE SHOTS WERE CLEAR AND FINALIZED WE TYPED THE DESCRIPTIONS INTO THE STORYBOARD TEMPLATE. WE DID THIS SO THE INSTRUCTIONS WERE AS CLEAR AS POSSIBLE AND EASY TO FOLLOW. WE THEN DREW THE ACCOMPANYING IMAGES OF THE MISE EN SCENE NEXT TO THE DESCRIPTIONS. IT WAS IMPORTANT TO DO THIS IN PENCIL SO THAT NO MISTAKES WERE MADE.
STORYBOARDING IS NOT AN EASY PROCESS AS MY GROUP DISCOVERED. WE FOUND IT HARD TO PLACE EACH SHOT AS WE WANT “REFLECTIONS” TO CONSIST OF SEVERAL MONTAGES. ANOTHER STRUGGLE WAS THE ALLOCATION OF WHO WAS TO DO WHAT PART OF THE STORYBOARD, AS NO ONE IN OUR GROUP IS PARTICULARLY GOOD AT DRAWING, BUT I OFFERED TO TAKE THE JOB ON.
TO START THE PROCESS OF STORYBOARDING WE MADE A LIST OF EACH SHOT AND THE KEY DESCRIPTIONS AS WE KNEW IT WAS LIKELY TO UNDERGO ALTERATIONS. ONCE ALL THE SHOTS WERE CLEAR AND FINALIZED WE TYPED THE DESCRIPTIONS INTO THE STORYBOARD TEMPLATE. WE DID THIS SO THE INSTRUCTIONS WERE AS CLEAR AS POSSIBLE AND EASY TO FOLLOW. WE THEN DREW THE ACCOMPANYING IMAGES OF THE MISE EN SCENE NEXT TO THE DESCRIPTIONS. IT WAS IMPORTANT TO DO THIS IN PENCIL SO THAT NO MISTAKES WERE MADE.
STORYBOARDING IS NOT AN EASY PROCESS AS MY GROUP DISCOVERED. WE FOUND IT HARD TO PLACE EACH SHOT AS WE WANT “REFLECTIONS” TO CONSIST OF SEVERAL MONTAGES. ANOTHER STRUGGLE WAS THE ALLOCATION OF WHO WAS TO DO WHAT PART OF THE STORYBOARD, AS NO ONE IN OUR GROUP IS PARTICULARLY GOOD AT DRAWING, BUT I OFFERED TO TAKE THE JOB ON.
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